with Zeina Salame
This introductory level class will focus on accessibly designed conversations on histories and legacies of racial misrepresentation and cultural appropriation in U.S. theatre. We will also apply that context to conversations on contemporary theatre production and social justice movements. There is NO WAY to do this in just two conversations, but this workshop will serve as a beginning to an important education on how the past shapes and contextualizes the present.
January 17 & 24, Sundays (2 Classes)
Suggested Accompanying Classes: Queer Plays, Dramaturgy for the Audience, Radical Playwriting, Theatre on Film, Good for a Laugh, Finding Meaning Today: Shakespeare’s Twelfth Night
Zeina Salame recently completed her PhD in Theatre Arts at the University of Oregon. Her dissertation “Carried in One Woman: Reflections on Arab American Female Solo Performance” emphasizes the value of lived experience, personal story, the self, and social justice as...read more
Before each class, students will be sent an email with a link to login and any class-specific instructions. Generally, students are encouraged to have a notepad & a pencil for note-taking. Students are checked-in by name via the class roster, so no additional ticket or receipt is required!
Refunds and Exchange Policy
Artists Rep does not offer refunds for purchased classes.
Exchanges can be made on a case-by-case basis.
If Artists Rep cancels a class, the class will either be rescheduled or refunded.
The Actors Conservatory @ ART will award partial-tuition grants for Studio Program classes to qualified applicants. Please complete this application for consideration.