An Octoroon listed as #1 in Portland Monthly's top 20 shows you can't miss!
“Addressing race in theater—an art form too often dominated by white people in both its creation and its consumption—is an important task in any political moment, and this is one of the best treatments of it I’ve seen in recent memory.”
-Megan Burbank, Portland Mercury
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“An Octoroon always seems like it’s one step ahead of you—it constantly wonders aloud about its own limits."
-Shannon Gormely, Willamette Week
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“The play holds up a mirror to our ideas about race and then proceeds to shatter them…”
-Krista Garver, Broadway World-Portland
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"An Octoroon is worth seeing and discussing and seeing again."
-Meg Currell, Edge Media Network
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“…directors Lava Alapai & Dámaso Rodríguez understand what the show is trying to do and turn everything up to 11.”
-TJ Acena, Oregon Artswatch
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“Lessons drenched in vicious humor, and anger treated with laughter, can do more to bring our attention to serious subjects than anything else.”
-Holly Johnson, The Oregonian
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“It’s a feeling. It’s a visceral response. It’s electrifying in what it chooses to present to its audience. It’s about questions without clear answers.”
-Cassie Duncanson, Portland State University Vanguard
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“…it definitely will raise eyebrows with some people, which is a good thing.”
-Dennis Sparks, Dennis Sparks Reviews
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"Mr. Jacobs-Jenkins is using a genre associated with exclamation points to ask questions not only about the portrayal of race in America but also about the inadequate means we have for such portrayals." - The New York Times
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"This decade’s most eloquent theatrical statement on race in America today." - The New York Times
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"Messy, clever and sometimes gut-bustingly funny." - StarTribune
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"A knockout, a radical rethinking, a great time." - Philly.com
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"An Octoroon is like nothing we've seen in contemporary American theater." - Cleveland.com
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"A work that is infinitely playful and deeply serious and which dazzlingly questions the nature of theatrical illusion." - The Guardian
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